![]() Nichols’s longtime comedy partner and Ms. Grodin had already appeared in Mike Nichols’s “Catch-22” in 1970 and had turned in one of his better-known film performances in the 1972 comic romance “The Heartbreak Kid,” in which he played a self-absorbed sporting goods salesman who marries in haste, immediately loses interest in his bride (Jeannie Berlin), and falls in love with another woman (Cybill Shepherd) on his honeymoon. Grodin is every bit her equal - a monument to male insecurity, gorgeously inept, and the kind of masculine dunderhead that every decent man aspires to be.” “Miss Burstyn is so real, so lovely and so womanly that a man wants to hug her, and you hardly notice the exquisite finesse of her acting. “The play needs actors of grace, depth and accomplishment, and has found them in Ellen Burstyn and Charles Grodin,” Clive Barnes wrote in a rave in The Times. Then, in 1975, came a breakthrough Broadway role opposite Ellen Burstyn in Bernard Slade’s “Same Time, Next Year,” a durable two-hander about a man and woman, each married to someone else, who meet once a year in the same inn room. ![]() Grodin’s next two Broadway credits were as a director, of “Lovers and Other Strangers” in 1968 and “Thieves” in 1974. “It took a trip to the dictionary to understand he meant more than clean.”Īnother Broadway appearance came in 1964 in “Absence of a Cello.” Mr. Grodin wrote years later, recalling a review of the show that appeared in The New York Times. Grodin, who dropped out of the University of Miami to pursue acting, had managed to land a smattering of stage and television roles when, in 1962, he received his first big break, landing a part in a Broadway comedy called “Tchin-Tchin,” which starred Anthony Quinn and Margaret Leighton.
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